The Nagra VII Anniversary Edition is the celebration of the 70th anniversary of the creation of the very first Nagra in 1951!
Electronically identical to a Nagra SEVEN, its front panel is totally new and built from a solid billet of aluminum. All the buttons are made of aluminum, including the potentiometer that are red and green as a testimony to the legendary Nagra IV-S.
The battery compartiment is also made from a solid block of aluminum.
The whole construction is super rugged and also a pleasure to feel.
Sonically the Nagra VII is the son of the Nagra V and Nagra VI that found their roots on the Nagra IV-S.
Its microphone preamplifiers are super transparent and silent. They can be compared to the best stand-alone microphone preamplifiers and can very well be connected to large membrane studio microphones.
The A/D and D/A are capable of 192 kHz / 24 bits that will make your musical recordings shine.
The Nagra VII is very intuitive and was designed with the sound engineer in mind. It takes a short training period to know how to operate it and be efficient in your work.
Having a dedicated recorder is a huge advantage as it allows the sound engineer to focus on sound and quality of the recording.Book a demo
The VII Anniversary offers two analog audio inputs and a single stereo digital input. It will record in PCM linear audio at sampling frequencies up to 192 kHz or in MPEG-1 layer II compressed audio formats if the compression option is installed. The inputs are equipped with traditional Nagra microphone preamplifiers for dynamic and phantom +48V microphones and offer a range of switchable sensitivities to accommodate all common microphones. AES-42 microphones can also be used as the recorder can supply the necessary 10V dc supply voltage on the AES input. The analog LINE input will accept up to +24dB, allowing it to be connected to a standard audio mixer in the field.
Get an insight into the Nagra Pro Audio
|Internal storage:||Micro SD Flash memory card|
|Removable media:||SD Flash memorycard|
|Disk format:||FAT 16 / 32|
|Recording Method:||Linear digital PCM, optional:MPEG 1 layer II|
|File type:||16 / 24 bit Broadcast Wave File BWF (WAV)|
|A/D & D/A:||24 Bit Sigma Delta|
|Bit rates:||32 kbits/s up to 384 kbits/sec|
|Sampling Rate:||44.1, 48, 88.2, 96, 176.4 and 192kHz|
|Recording capacity:||1hr at 24 bit 48 kHz per GB of memory|
|Display:||Color LCD touchscreen|
|Level meters:||On colour display|
|Digital input:||XLR 3-pole / AES 42|
|Analogue inputs:||2 x XLR Microphone (Dynamic, +48V Phantom) / line|
|Mic. input sensitivity:||2.8, 10 and 40 mV/Pa selectable|
|Mic. input noise:||Uin < 1µV (2.8 and 10 mV) @ 220Ω Uin < 1.6µV (40 mV)|
|Limiters:||On microphone inputs|
|Line input sensitivity:||Adjustable from -6 dBm up to +24 dBm for 0 dBFS recording|
|THD at 1 kHz:||2.8mV Mic <0.2%, 10mV Mic <0.1%, line <0.1% (measured on AES out)|
|Frequency response:||Mic, 10Hz – 75 kHz (+0 – 3dB), Line 10 Hz – 90 kHz (+0 -1dB) (measured on AES out)|
|Signal-to-noise ratio:||>110 dB ASA “A”|
|Input level adj. range:||42 dB Mic and from -6 to +24 dB Line|
|Internal microphone:||On the front panel|
|Crosstalk:||Mic >70dB : Line > 110dB|
|Analogue line output:||XLR 4.4V max (+15 dBm)|
|Signal-to-noise ratio:||>100 dB|
|Digital output:||XLR AES-3 (24 bit or 16 bit)|
|Frequency response:||10 Hz – 75 kHz (+0-3dB)|
|Headphones:||Stereo 6.3mm (¼”) Jack 50 Ω|
|USB:||Micro AB connector|
|Dimensions:||165 x 175 x 65mm (W x D x H) (Incl. battery box)|
|Weight:||800g (1.75 lbs) (Incl. battery pack)|
|Power supply:||External 15V|
|Power Consumption:||Approximately 5W|
|Charge time:||Approximately 3 hours|
|Battery life:||>5 hours|
|Relative humidity:||From 10% to 99% (non condensing)|
Software bulletin English for V1_60
Software bulletin English for V1.70
Software bulletin Francais pour V1_60
Software bulletin Francais pour V1.70_
Software bulletin English for V2.00
Software bulletin English for V2.10
Software bulletin Francais pour V2.10
Software bulletin English for V2_11
Software bulletin Francais pour_V2.11
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